Inspiration, Instruction, Musings
Copyright © 2019 Sherry Barrett
All rights reserved.
All rights reserved.
Have you ever wondered what artists are doing when they seem to be glaring at a pencil they are holding at arms length? It may look ridiculous, but this is how artists take measurements. We don't carry a measuring tape like a seamstress, but we've learned to measure with one eye, a straight arm and a pencil, paintbrush, or just our hand. Proportion helps to harmonize our drawing with itself.
To practice drawing in proportion find an object in your house that you'd like to draw. I chose to try my cup again.
1. Place the object on the table in front of you.
2. Take your pencil in your drawing hand, extend that arm fully until your elbow locks. Close one eye and look at your object behind the pencil.
4. Place the tip of your pencil at the top of the object and slide your thumb nail down the pencil to the bottom of the object. That space from the tip of your pencil to your thumb is your height measurement. For this exercise, transfer this measurement directly onto your paper by placing your pencil on the paper and marking with the top by rocking your pencil so the lead makes a mark, then point a finger where your thumb nail is on the paper and make a pencil mark by that finger.
5. Next, turn your pencil horizontally, fully extend your arm and lock your elbow, close the same eye and look at the object along the pencil. Place the tip of the pencil on the far left side of the object and slide your thumb along the pencil until your nail reaches the far right side of the object. Transfer these width measurements to your paper in the same way.
6. You can also take more measurements. Perhaps you are drawing a wine glass and you need to determine where the glass ends and the stem begins. To do this, measure from the top of the glass to the start of the stem. Mark that distance on your drawing. Now, keeping your thumb in place (or remeasure the top again if you lost it) slide the tip of your pencil down to the start of the stem, where does your thumb land in relation to the object? Is it the bottom of the stem or the base of the glass or far below the glass on the table? Use that measurement to get the bottom half of the glass in proper proportion to the top. If you are measuring a brandy glass, the stem may begin 1/4 from the bottom of the total measurement; whereas, a wine glass stem may begin in the middle of the total measurement.
7. Proceed to draw your object within those boundaries and you will be delighted with the results. Measuring always ensures that people won't mistake your brandy glass for a wine glass.
Tips and Tricks:
1. Always close the same eye. (Go ahead, close your left eye, then your right eye while looking at your pencil and see what happens.)
2. Always fully extend your arm and lock your elbow, otherwise you will get a different measurement every time you put your pencil in front of you.
3. Try not to wiggle around or tilt your head. Stay put while measuring.
4. If your eyes refuse to cooperate with pencil measuring, take a photo of your object and print it out on your printer in black and white. Get out a ruler and literally measure the object in the printout. Place those measurements directly on your blank paper to serve as guidelines. Now make yourself draw within those boundaries and your object will be in proper proportion.
If a drawing is bothering you, it's often because something is out of proportion. I was recently helping a friend with a sea turtle that didn't look quite right. We laid her pencil on the turtle's shell and then on the front flipper to check the proportions. We couldn't believe the sea turtle's front flipper was as long as its shell. She had to make that front flipper longer than seemed necessary. But as soon as she lengthened the flipper, the drawing came together. Correcting a mistake is so much easier than starting all over again, so don't be afraid to measure before, during and after. Erase and replace faulty lines to get that proper proportion. And take heart, the more you practice the better your brain will get at seeing proportion without even measuring.
Tips and tricks:
You can do the sketches in pencil, crayon, marker, pen, watercolors, patchwork quilt, cut up and glued magazine pages.... whatever is fun for you, do it that way. Make a salt dough sculpture of your cup if you prefer. Take photographs of that cup, manipulate the image, super close up, super tiny. Just make it your own cup.
If you're not happy with your results:
1. Do a google image search "cup sketches" or "goblet sketches" and look at them. Study them, what did they do that you would like to imitate?
2. Choose the most complicated looking cup you have, it may be easier to draw than a simple one. We are less likely to draw a symbol (something you would draw for a picture guessing game) when there is more detail to the cup. Our eye sees that more information is required to identify THIS particular cup.
3. Turn your cup upside down and draw it that way, it may be easier.
4. Stop erasing. Just keep drawing. Leave the wrong lines, make the good lines darker. (Think of those animation sketches with all of those random lines)
5. If it's not going well and your frustration level is high, stop. Do something else and try again later.
Sometimes when a drawing isn't coming out quite right it's because I have overlooked some principal of perspective. I don't like to plan my artworks when I'm playing. I prefer to jump in and see what happens. Along the way I may realize my drawing is looking funky (not in a good way) and when I step back and think I realize this scene requires multiple vanishing points. If I like the drawing enough, I'll start again with a plan.
I have taken the time to put together some reminders for myself that may be helpful to you when you run into problems with perspective. Check out the Resource section of my website for a quick refresher on one, two and three point perspective. Don't give up on those good ideas that aren't turning out properly. Just set them aside; because, one day, when you're working on something unrelated, your mind will make a link between something you just learned and that old painting that wasn't working and you can now bring that old drawing to real life with the new insights you've acquired through patient practice of your art.
It is the job of the artist to work their job like any other. Every morning we must wake, dress and put ourselves in the chair. We must take up our paint brushes, pencils, paper and erasers and start again. Today may be the day the painting or drawing comes out better than hoped. It may also be a learning day. Learning not to overwork a watercolor. Learning not to erase too hard. Learning that this red and that yellow do not make the desired orange. It is the job of the artist to show up anyway. We paint and draw in the hope that we will be present, and our skills sufficient, when a work of art is ready to be born that contains some truth that will transcend today and be relevant to a world that craves hope, insight and inspiration. I remind myself this because I have been ill and can't seem to get to the chair and take up the tools and make anything I would want another to see. I must do it anyway, because it's my job. It is also my job to learn to build this website and use social media and engage the public; because, what use is art that is never seen?
Sherry Barrett is an active artist who takes inspiration from great works of literature, historical figures, and wise people.